On Warmer Music's Favorite Songs of 2012 [10-1]

Finally, we have arrived at my ten favorite jams from these past twelve months. And not only that, we've got all thirty songs available in one easy mix for your rocking pleasure, enjoy!

Download all 30 Songs As A .RAR
See Songs 30-21
See Songs 20-11

On Warmer Music's 10 Favorite Concerts of 2012

Radar Eyes At The Bottle Just Missed My List
But The Camera Didn't Miss Me

One thing about end of the year lists is that there's always this unrealistic patina of omniscient and impartial judgement about them. With the internet, it's now assumed that all music writers (most of whom, like me, do it for nothing more than the exposure and the cheap thrill of being able to spout their opinions publicly) have heard every album on the ever-increasing list of good or potentially good album released in a given year. Not only that, but that they've given each several hearings and formed utterly informed opinions. Not only is that impossible, but it's laughable. Music sites will aggregate their writers opinions, try to form a diverse, yet meaningful selection and yet still end missing much great music and over-hyping other, less-deserving music - it's the nature of the beast.

A nice feature of about live shows is that they're inherently finite. You can't see all the concerts, not even all the bands. Especially not if you want to know the music of the bands you are seeing. Plus there's surprise shows, booking conflicts, unexpected illnesses and any number of factors that make the live experience still something that cannot be truly duplicated or fully "shared" instantly to everyone around the world. 

With that in mind, I present my favorite concerts of 2012. Looking at this list, I'm immediately struck by the lack of hip-hop representation which I chalk up to a combination of my own bad planning combined the unfortunate tendency of hip-hop shows to be washed-out, bass and hype-men heavy messes that one can't fully get behind, no matter how much one REALLY wants to have an amazing show. Still, I'm lucky to live in a city with this much great music and I could have easily doubled this list without running out of amazing musical experiences that made my life better this year. Thanks to the musicians and my audience members for sharing these with me, it was really, really fun.

On Warmer Music's Official Halloween 2012 Mixtape

I have mixed feelings about Halloween. Although I do love autumn and have a strong appreciation for cheap Gothic horror, the glee with which my fellow Millenials have embraced the holiday does give me pause. There's something about the mixture of premature childhood nostalgia, wittier-than-thou ironic costuming and hardcore drinking that makes the whole thing smack of the Peter Pan Syndrome that is one of my generation's least-appealing qualities. (Insert Peter Pan costume joke here.)

Of course, at a certain point you either have to shit or get off the pot and I know that the combined forces of candy lovers, costume mavens and a consumer society in desperate need of a post-back-to-school, pre-Christmas cash cow means that Halloween as we know it is here to stay, so I might as well enjoy it. With that in mind, I'm hereby presenting you with your official Halloween party mix. Take an hour and sample a celebration of serial killers, infanticide, kosher lycanism and cerebral consumption.

On Warmer Music's Favorite Albums of 2011 [15-8]

I sometimes can't help but wonder why one would make both a favorite albums and favorite songs list for a given year. There's obviously bound to be a great deal of overlap between the two, why not just combine them?


Without waxing too rhapsodic about the joys of a well-crafted, contextless single or an inseparably extended musical statement, I'd like to humbly submit that there are some artists who shine over three minutes but drag over forty while others might not make songs designed to be heard on shuffle but can use mood, placement and other tools to design brilliant musical collections that demand to be appreciated as whole units.


Therefore it is with great excitement but also extreme modesty that I present my favorite albums of the past year. Bon appetit!

On Warmer Music's Favorite Songs of 2011 [10-1]

So here it is, the thrilling conclusion. Although 2011 felt like a little bit of a down year for music compared to 2010, I was surprised by how difficult cutting songs off this list proved to be. It's a testament to the incredibly open and accessible nature of modern technology and media that even a "down" year is so fulled with exciting, interesting, catchy, happy, depressing and otherwise amazing music.

Download On Warmer Music's Favorite Songs Of 2011
[See Tracks 30-21]
30. Cold Rain - Talib Kweli
29. Summer Song - Matt Duncan
28. Baby's Arms - Kurt Vile
27. Holy Holy - Wye Oak
26. Freaks and Geeks - Childish Gambino
25. I Wanna Meet Dave Grohl - Wavves
24. Midnight City - M83
23. Time Is Right - The Feelies
22. Weekend - Smith Westerns
21. Metropolis - Illinois
[See Tracks 20-11]
20. Video Games - Lana Del Ray
19. Shaking Hands - Title Tracks
18. Codeine - Jason Isbell & The 400 Unit
17. Never Quite Free - Mountain Goats
16. Pulaski - Drive-By Truckers
15. Waiting For Kirsten - Jens Lekman
14. War's Blazing Disciples - The Eternals
13. The Leibniz Language - Le Butcherettes 
12. Nat Geo (feat. Chris Lee) - G-Side
11. The Summer Place - Fountains of Wayne

Album Review: Ratsliveonnoevilstar [EP] - Annie Clark

Last night I saw St. Vincent. It was, let me be clear, a great show. It reminded me of seeing the National play Metro in 2007 while touring off of Boxer, in that it was clear that this is a band bound for bigger things and larger venues. The light show alone was epic enough to say "yeah, I'm not gonna be playing small clubs forever, so enjoy it while you can."*


Although Annie Clark looked as good as ever, she was sporting a whole new backing band who put an entirely different spin on her live act than the last two times I saw her touring off Actor. Gone was the sax, in were dual keyboards for both bass and texture. She played mostly new songs, but her takes on older material, especially "Your Lips Are Red" showed just how important her bands are in shaping her sonic vision. All her music is sewn together with darkly erotic undertones, but the frame changes album to album, from the sixties pop-inspired Marry Me to the technicolor soundscapes of Actor and on to Strange Mercy's electronic menace.


Clark's musical shapeshifting isn't a recent trend, in fact it can be first observed in a 2003 EP she released as a music student at Berklee College. She chose the palindromic title Ratesliveonnoevilstar for this modest recording of three songs that feature her on a guitar along with a jazz bassist and drummer. The session offers insight into Clark's musical background with a looser, pop-jazz sound that continues to pop up in various songs throughout her work as St. Vincent. Not only that, but you can hear her development as a songwriter, with songs just as dark and quirky as her later work but with less polish and more suggestion.

Album Review: Strange Mercy - St. Vincent

My first introduction to the new St. Vincent album (I hadn't yet memorized the name) came during this year's Pitchfork Music Festival in the form of a video that was repeated ad nauseum between sets on the festival's jumbotron. The ad featured a series of attractive women looking into the camera and earnestly spouting rote breakup cliches created to spare the male ego. After a series of these, Annie Clark finally appears and looks directly into the camera and without hesitance or dissembling says:

It was an incredibly effective spot. As every review of her by a male writer has attested, Clark is very attractive woman and her lure is drawn from more than just her looks. Annie Clark has a cold, clear-eyed strength that radiates out of her person and music which adds to her magnetic attractiveness just as much as her looks. Both her playing and her lyrics prove that she's the kind of girl who can kick your ass and make him like it. 

Six Song Six-Pack (Pt. 1) - When A Man Takes A Wife It's Like Going To Jail For Life

When I was growing up my nana had a saying, "take your time friend of mine" that I soon adopted and used as my own for years. It wasn't until I was nearly out of college that she told me the beginning of the saying - "when a man takes a wife, it's like going to jail for life, take your time, friend of mine." An interesting twist, but also one from a bygone era, one where divorce was rare and adolescence didn't stretch across one's twenties.

I tell this tale because this weekend I'm heading down to St. Louis for the wedding of one of my closest childhood friends. As I've been sweating over writing my toast, I've been listening to wedding songs to get me in the mood. Of course, not all of them are really the best way to prepare to celebrate love and I wanted to get them out of my system early. Today I'm sending you six songs guarenteed to sour you on marriage before giving you the good stuff tomorrow with six love songs so heart-melting they'll have you flying to Vegas for a quickie wedding with the next good-looking guy/girl who walks by. Enjoy!

Our Concert Could Be Your Life

Elvis Costello never said that "writing about music is like dancing about architecture", despite what you may have heard. I'm glad too, because although many of music's joys are ineffable, that's no reason not to try to put them into words. Michael Azerrad knows this better than most people, as the author of Our Band Could Be Your Life, the seminal history of the "post-punk" or "alternative" or "D.I.Y." or "whatever name you care to give it" movement of brash, independent and unfiltered music that bubbled up around the country during the 1980's before jumping the charts in 1992 (to very mixed results).


The subtitle of Azerrad's book is "Scenes From The American Indie Underground" and it's not unfair to say that the bands chronicled in this book functionally started the musical genre that is now ubiquitously and unhelpfully referred to as "indie rock." Of the 13 bands profiled only one, Sonic Youth is still going. A few such as Mission of Burma, Big Black, the Butthole Surfers and even the Replacements have reformed (although the latter was a two song, studio-only affair). But the influence they project onto the scene today is almost incalculable.