On Warmer Music's 10 Favorite Concerts Of 2013

So I might have mentioned in a previous post how this year I started getting more than a little overwhelmed by the whole treadmill aspect of music writing. Though it can be hard to maintain that childlike joy at music when you're constantly having mp3s and deadlines dumped down your throat, the good news is that the same is harder to say about live performance. Sure, I don't get the same giddy feeling the whole day of a concert the way I did when I was in high school and, sure, it's a little easier to dismiss the mediocre opening bands that are sure to come your way without a second thought. 

But for me going to concerts has become like attending church or baseball games. You do it so often in your life that some of new apple shininess will inevitably wear off. But the deeper rituals make it even more rewarding to come back to. Being surrounded by people looking to lose themselves in sound and emotion is, when done properly, an act of communion with ourselves and each other. And, like baseball or even mass, there's always the possibility of something truly spectacular happening that will never happen again. No matter how many shows you've seen that week or how many times you've seen a great band, there's always the possibility that you'll find a few moments where everyone in a room transcends the everyday and loses themselves in something communal and life-affirming.

Fortunately for me, 2013 had more than a few of those moments and, if you'll permit me, I'd like to ramble off a few of the better ones for you.

On Warmer Music's 10 Favorite Concerts of 2012

Radar Eyes At The Bottle Just Missed My List
But The Camera Didn't Miss Me

One thing about end of the year lists is that there's always this unrealistic patina of omniscient and impartial judgement about them. With the internet, it's now assumed that all music writers (most of whom, like me, do it for nothing more than the exposure and the cheap thrill of being able to spout their opinions publicly) have heard every album on the ever-increasing list of good or potentially good album released in a given year. Not only that, but that they've given each several hearings and formed utterly informed opinions. Not only is that impossible, but it's laughable. Music sites will aggregate their writers opinions, try to form a diverse, yet meaningful selection and yet still end missing much great music and over-hyping other, less-deserving music - it's the nature of the beast.

A nice feature of about live shows is that they're inherently finite. You can't see all the concerts, not even all the bands. Especially not if you want to know the music of the bands you are seeing. Plus there's surprise shows, booking conflicts, unexpected illnesses and any number of factors that make the live experience still something that cannot be truly duplicated or fully "shared" instantly to everyone around the world. 

With that in mind, I present my favorite concerts of 2012. Looking at this list, I'm immediately struck by the lack of hip-hop representation which I chalk up to a combination of my own bad planning combined the unfortunate tendency of hip-hop shows to be washed-out, bass and hype-men heavy messes that one can't fully get behind, no matter how much one REALLY wants to have an amazing show. Still, I'm lucky to live in a city with this much great music and I could have easily doubled this list without running out of amazing musical experiences that made my life better this year. Thanks to the musicians and my audience members for sharing these with me, it was really, really fun.

Concert Review - Jeff Mangum at the Athenaeum Theatre, February 8th, 2012

"God is a place you will wait for the rest of your life."


Neutral Milk Hotel wasn't just a band, it was an experience, a shared secret, a way of processing the world, an alternate reality, all based on the beautiful, fractured, naive worldview and lyrics of one Jeff Mangum. His decision to disband the group and subsequent nervous breakdown in 1999 left many of his fans feeling like they were living the above quote from "Two-Headed Boy, Pt. 2". Since then, the band's work has taken on a mythical place in the indie cannon, bringing in millions of new fans to join in the waiting for the musical deity.