There are some songs that you read the title of, hear for the first time and say "there's a mix there." I remembering buying Rogue Wave's first album in fall 2007 (at B-Sides in Madison, WI I might add, one of my all-time favorite record stores) and having just such an experience. I was trudging across the Rock River on one of those disgusting November mornings that makes you question why anyone ever bothers and listening to Out Of The Shadow when "Postage Stamp World" started playing. Its dry acoustic guitar and warm production immediately made life seem a little more bearable. When Zack Rogue started singing about "this postage s-stamp world" and the pedal steel kicked in, I was in another place. Soon I would leave for a semester abroad and my Postage Stamp World Mix would be my companion the whole time, providing aural comfort and stability throughout my travels. When I'm ready for some platinum-grade nostalgia these days, I give it a spin.
Camera Obscura's "Let's Get Out Of This Country" is another song that was dying to be a mix from the second I heard it. Dreamy pop, more escapism, it was destined to soundtrack great travels, either mental or physical. Along with it, I threw together a little bit of globe trotting, from a Bob Dylan song about a country that no longer exists (and that he wrote on a bet) to one of Big Star's loveliest little throwaways to one of the best Jonathon Richman/Modern Lovers songs of all-time, even if it is an instrumental. Ted Leo & the boys make such powerful get-off-your ass and move music, they had to be in here twice as well. I hope you have as much fun in these songs as I did.
Every year Veterans Day comes and goes and every year it seems like there's less and less of an attempt made to give some sort of weight to the tradition that, for many people, is just a day off for government workers and school children. I'm not one to shake my finger at people about forgetting the old ways, but it does seem to me that the lessons of November 11th are probably worth remembering.
In an era of instant connectivity and information, it's paradoxical that we're often far less connected to reality than were generations of the past. November 11th was originally known as Armistice Day, celebrating the end of the most calamitous and pointless wars of the modern era, World War I, which ended on the 11th minute of the 11th hour of the 11th day of the 11th month of 1918. It was a fittingly pointless ending that cost a final few needless lives, chasing the deaths of needles millions over the preceding five years.
Hailed at the time as "The War To End All Wars," Americans saw their entrance into World War I as a noble enterprise to make the world safe for democracy and ensure that hereafter we would no longer need to send troops across the world into harms way. Most Americans in 1918 would scarcely believe that less than a century later America would become a global hegemon, spending more on its military than the next ten countries in the world combined. Veteran's Day grew out of the Armistice Day celebrations as a way to honor those who had sacrificed their bodies, youth and, potentially, lives in what they saw as service to their countrymen. It was also a reminder of the cost of war and the need to avoid at all cost both conflict and those things which make conflict more likely.
In hopes of escaping the mistaken paradigms both of those who blame the warriors for the wars, as well as those who would equate questioning the mission with demeaning honest service, On Warmer Music hereby presents a series of songs that I hope will help, in some tiny way, illustrate the burdens of war and how they are born by those who fight.
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