On Warmer Music's 30 Favorite Songs Of 2013 (10-1)

And there they are, the final songs of the year. It's funny, when I first started doing my end of the year list, I was a bit underwhelmed by my choices. Yet as I've gone through writing this, re-listening to the music, I've realized just how strong these songs are. Perhaps my 2013 list is the least flashy or catchy one I've made but I suspect that the grit and heart in these songs will hold up surprisingly well. Oh well, You can be the judge, here, after a brief recap are my ten favorite songs of 2013: 30. Lake Michigan Wind - Jones Street Station
29. Nothing Is Gold - Bare Mutants
28. New You - My Bloody Valentine
27.  Wendy 'N Becky (feat. Chance The Rapper) - Joey Bada$$
26. Lookin - The Dismemberment Plan
25. Uptown Boys - Netherfriends
24. Come Walk With Me - M.I.A.
23. Dreaming Of Giants - Radar Eyes
22. Nightwater Girlfriend - Someone Still Loves You Boris Yeltsin
21. White Girls (Student of the Blues) - Diarrhea Planet
20. Joy To You Baby - Josh Ritter
19. Husbands - Savages
18. Coming Through (feat. Cat Power) - Willis Earl Beal
17. I Saw Her Face - The Men
16. Coast To Coast - Waxahatchee
15. Only A Clown - Caitlin Rose
14. Unbelievers - Vampire Weekend
13. Get Back In Love - Carrie Rodriguez
12. Banana Clipper (feat. Big Boi) - Run The Jewels
11. It Can't Be You - Basia Bulat

On Warmer Music's 10 Favorite Concerts Of 2013

So I might have mentioned in a previous post how this year I started getting more than a little overwhelmed by the whole treadmill aspect of music writing. Though it can be hard to maintain that childlike joy at music when you're constantly having mp3s and deadlines dumped down your throat, the good news is that the same is harder to say about live performance. Sure, I don't get the same giddy feeling the whole day of a concert the way I did when I was in high school and, sure, it's a little easier to dismiss the mediocre opening bands that are sure to come your way without a second thought. 

But for me going to concerts has become like attending church or baseball games. You do it so often in your life that some of new apple shininess will inevitably wear off. But the deeper rituals make it even more rewarding to come back to. Being surrounded by people looking to lose themselves in sound and emotion is, when done properly, an act of communion with ourselves and each other. And, like baseball or even mass, there's always the possibility of something truly spectacular happening that will never happen again. No matter how many shows you've seen that week or how many times you've seen a great band, there's always the possibility that you'll find a few moments where everyone in a room transcends the everyday and loses themselves in something communal and life-affirming.

Fortunately for me, 2013 had more than a few of those moments and, if you'll permit me, I'd like to ramble off a few of the better ones for you.

On Warmer Music's 10 Favorite Concerts of 2012

Radar Eyes At The Bottle Just Missed My List
But The Camera Didn't Miss Me

One thing about end of the year lists is that there's always this unrealistic patina of omniscient and impartial judgement about them. With the internet, it's now assumed that all music writers (most of whom, like me, do it for nothing more than the exposure and the cheap thrill of being able to spout their opinions publicly) have heard every album on the ever-increasing list of good or potentially good album released in a given year. Not only that, but that they've given each several hearings and formed utterly informed opinions. Not only is that impossible, but it's laughable. Music sites will aggregate their writers opinions, try to form a diverse, yet meaningful selection and yet still end missing much great music and over-hyping other, less-deserving music - it's the nature of the beast.

A nice feature of about live shows is that they're inherently finite. You can't see all the concerts, not even all the bands. Especially not if you want to know the music of the bands you are seeing. Plus there's surprise shows, booking conflicts, unexpected illnesses and any number of factors that make the live experience still something that cannot be truly duplicated or fully "shared" instantly to everyone around the world. 

With that in mind, I present my favorite concerts of 2012. Looking at this list, I'm immediately struck by the lack of hip-hop representation which I chalk up to a combination of my own bad planning combined the unfortunate tendency of hip-hop shows to be washed-out, bass and hype-men heavy messes that one can't fully get behind, no matter how much one REALLY wants to have an amazing show. Still, I'm lucky to live in a city with this much great music and I could have easily doubled this list without running out of amazing musical experiences that made my life better this year. Thanks to the musicians and my audience members for sharing these with me, it was really, really fun.

Concert Review - Robbie Fulks at Fitzgerald's, December 29th, 2011

Didn't 2011 suck? I mean, beyond whatever personal setbacks I might have, it just seemed like every time you opened a paper or turned on the radio, something else was going wrong. Whether it was dangerously violent weather, a new Daley, the rotating clown college of offensive Republican candidates or the fact that our government's single achievement was choosing not to destroy our own credit rating, there just wasn't much succor to be found this year. (And don't even get me started on Adam Dunn or the Cutler injury.)


So what does one do at the end of a year as monumentally soul-depleting as 2011? The same thing we do every year, go see Robbie Fulks.


You see, every year, Robbie, his band, his wife and few other friends put on a "Year In Review" show at Fitzgerald's, a friendly suburban restaurant/performance bar in Berwyn. It's a full band country rock concert interspersed with audience trivia games, humorous skits and musical numbers based on the year's events and any other tomfoolery the band might feel like engaging in. It's a glorious institution - fun, informal, raucous and incredibly well-executed.

Robbie Fulks - "Let's Kill Saturday Night"

Country music can be a tricky passion for the Stuff White People Like-crowd that so often frequents the mp3 blogs. One crowd feels icky about the Wal-Mart, plastic Nashville, Garth Brooks/Toby Keith-aura that many associate with the genre. There are others who risk censure for "ironic" appropriation of poor white working-class music that smacks of condescension.